Mechanical Connection.

An studio made, using a model. Experiment with different fabrics and the way they adapted to the model's body. That's why it's quoted that the body is used only as part of technical equipment.

Observating the forms that result from placing lines in different ways, trying to do much details. Setting fabrics adapted to the body, reflecting the clothes, more than the model to reference the way in which clothes "need a body" in order to be interpreted. Attention to the different froms that take over the body, as well as the use of lines.

Vol 1.

Subversion of traditional ideas in the using of lines to create clothes. Sci-Fi-Inspired form. It consists in the creation of lines. Lines. Rigorous placement of lines that are intended to create certain effects in mechanical/technological work, and a science-inspired form that usually does not appear in some parts of the body. Body. A body is used to show these lines. A body that would be a mannequin. Not only clothes that men can wear. Body only as part of technical equipment. Placement of basic graphic elements such as, lines and neutral colours like black and white. Classic pieces. Traditional tailoring techniques.

Vol 2.

The Body. Lines take over it growing in the top, structuring body. The structured lines. Body continues as part of technical equipment.

The Armored Body.

A review in the way the body can change. Looking for an escape in something that is designed for the self. An emphasis on structure of the body. The body offers us an opportunity to imagine new forms in clothing structure, to protect the human with a variation of garments, as garments need a body to become a pair. Both make a studied image and look, in which clothes suggest delineation in the human outline. Related body and cloth, but with control in structured design for protection.

Bisector Human.

Clothes to understand different approaches of the fabrics to the body, where actively flesh is engaged to the structure of the clothing.
An arrangement of cuts and layers, creates and structure of a constant presence.
The body not being a passive receptor, holds the pieces.
Dialogue where they meet. A trade.
A small space full of nothing but an invisible layer.